Part One
Perhaps one of my favorite sections of all the Mayfair books is the restoration of First Street. There doesn't seem to be a time in the house's actual history that it became that dirty and deteriorated but the restoration seems to be an important theme in the Mayfair books - creating order out of chaos.
Carlotta's
attempts to stop Lasher and to assume control of the Legacy over the
years failed
miserably. In her
determination, she destroyed lives and hearts as well as held the family
at bay by fighting them constantly.
The house's deterioration
is a standing monument to her destruction.
Michael
Curry's life had come to a standstill by 1989. He had achieved all he
had
wanted - almost. He had an
education, a successful business and his own restored home. Yet he had
only one living
family member, his Aunt
Vivian, and his last two serious relationships had failed. One of his
girlfriends had even had
an abortion over his
protests. It was pondering this plateau in his life that led him to
Ocean Beach and his near drowning,
an event that would lead
him straight home and to his past. It would also lead him to Rowan
Mayfair.
Like
Michael, Rowan's life had reached a plateau of sorts. She was a
practicing neurosurgeon,
board certified, who had
plenty of money already. She seldom kept boyfriends for long; in fact,
she had a voracious
sexual appetite, a trait
she would later learn was common to the strongest witches. However, the
loss of her only family,
her adoptive parents, left
her feeling very alone in the world. The loss of contact, of feeling
loved and wanted, and
the secret knowledge that
she was capable of killing telepathically but not of how exactly she did
it was becoming too much
for her. She was "damned
sick of crying." Her state-of-the-art home was cold and empty despite
having every
modern luxury.
It was in about May, 1989 that Michael nearly drowned. He was rescued by
Rowan, who happened to be out on the bay at the helm of the Sweet Christine.
They did not meet for three months but
in that time, Rowan's
loneliness intensified and Michael's world crumbled around him as a
result of his ability to see
visions and his conviction
that he had a purpose, an assignment that involved New Orleans, his
childhood home. By August,
1989, Deirdre Mayfair was
dying and Rowan Mayfair finally agreed to meet with Michael Curry.
By
the time Deirdre died, Rowan and Michael had fallen in love and Michael
had made arrangements
to return to New Orleans.
Rowan already missed him terribly when she received a call meant for
Ellie, her adoptive mother.
Her real mother, Deirdre,
had died and Carlotta was not aware that Ellie was also dead. It was
Carlotta's own blunder
- calling Ellie's home
where there was a good chance Rowan might answer the phone - that caused
Rowan to find out about Deirdre,
New Orleans, and the
Mayfair family.
It
was what prompted Rowan to contact the funeral home where Deirdre had
been taken, which
allowed her to delay the
viewing, gaining time for Rita Lonigan to contact the rest of the
family, who would then arrange
a funeral Mass. Jerry
Lonigan assured Rowan he would not close the casket until Rowan got
there. This allowed
her to leave San Francisco
for New Orleans.
Aaron
Lightner, investigator with the Talamasca and bearer of the immense
File on the Mayfair
Witches, caught up with
Rowan and Michael in New Orleans where he befriended both of
them. While Rowan was
burying Deirdre,
Michael was reading the File. Rowan read it days later and thanked
Lightner for answering the
most important questions of
her life. He reached her at the First Street house after she met her
family at the funeral
and after she killed
Carlotta.
Despite
her own disgust with killing the old woman, she in fact avenged Stella,
Antha and
Deirdre, her lost mother.
She also avenged her own removal from her mother and family as well as
took out the person
responsible for so much
destruction and pain.
It was
only after Carlotta was buried and her things were removed from the
house
that Rowan went into
action, claiming the Legacy, reviving traditions that had existed before
Carlotta wreaked her havoc and
setting up funds for the
restoration of First Street. The way had to be cleared, the old had to
be shed and arrangements
had to be made for the
restoration to be a fresh start. Clearly, that is what Rowan and
Michael intended this restoration
to be for both of them.
And this was where the fun began...
Part Two
The
restoration began really before there was a contractor on the site.
Rowan and
Aaron Lightner had crated
and shipped Marguerite's jars of experiments to the Talamasca as well as
the dolls of each witch.
She had also given him
permission to examine the records of Riverbend Plantation and of Julien
Mayfair that had been culled
from the long neglected
library shelves. Neither of them noticed the secret compartment where
Stella's pearls, photos
and Julien's haunted
Victrola had been stored.
The
whole house had been inventoried and items had been checked off a list
that was almost
identical to the inventory
made at the time of Antha's death. Clearly, nothing had changed since
1941, the year Antha
was killed. It was about
to, though.
As
Rowan and Michael progress on the restoration, they modernize the house
and repair blunders
made by contractors in the
past, such as the light in one of the bedrooms, which was not wired
properly. They also find
things in the attic that
had belonged to Stella and Antha in addition to a host of old
photographs that Rowan puts together
with those that are already
displayed for her wedding reception/homecoming party. As they restore
the garden, pool,
cabana and garconniere, it
is clear that what they are doing is setting things as they believe they
ought to be and putting
an end to the tragedy and
heartache of the past - not just their own, but the past that existed in
that house for so long.
There
is one thing they cannot foresee, however, and that is what Lasher's
plan actually
is. Unlike contractors of
the past, Lasher is actually allowing this restoration, because he
wanted Michael to be the
one to do the work and
command the project. And he knew Rowan was his thirteenth witch and he
wanted the house ready
for his grand entrance.
I
love to see things restored and renewed. It seems as if it is a fresh
start, a new
lease on life, a second
chance at happiness. It seems tragic that Rowan and Michael struggle
well into the time of Quinn
Blackwood and their
encounters with Lestat when what they had hoped for was happiness. That
was apparently what Anne
Rice was trying to convey
in The Witching Hour - the devil has won. Clearly, this is about
winning and losing
when you struggle for your
very life and soul - there is no middle ground to be had, no compromies,
no deals.
A
person's physical habitat and appearance are the first outward signs of
change.
Rowan's change from
doctor's scrubs and nautical clothing to feminine clothing, Michael's
shedding of the drinking that had
plagued him since the first
drowning, and their renewed hope in their newfound love were expressed
ultimately through the
restoration of this grand
home and their intention to make it a hub of family life and of future
generations. These
outward manifestations were
just that - representations of shedding the old and inducting new life
and new vitality to their
mortal existences.
By
Michael's return to his hometown and his tour of his old neighborhood
and Rowan's efforts
and restoring family
traditions and bringing crucial data together, Rowan and Michael have
both reconciled their pasts, and
the ultimate destination
was First Street, their home, their love nest as it was for Katherine
and Darcy Monahan. It
seems as if both of them
have banished the shadows, cleared the cobwebs and made their lives
whole again.
In
the grand theme of literature, they should have had a happy ending.
But then, isn't
the continuing "ending"
Rowan and Michael actually have the type that most of us have? Is life
ever a bowl of cherries
after the bad times are
over? I think not. I think Anne Rice has touched upon an important
theme in life in these
books - that you can clear
away and settle the issues of the past, but you can never predict or
control the future completely.
There are elements and
people beyond your control who will have an unexpected effect and
influence on your life and you may
not be prepared no matter
how much you try to thwart it or learn about it. A witch may be
powerful in her own realm
and sphere, but she is
never powerful enough to manipulate events, time, and people to her
bidding completely. She is
still subject to the laws
of nature and of time. She always will be.